Sans cohérence, point de convictions, sans convictions, point d'esprit critique devant l'oppression et point d'engagement durable pour lutter contre elle. Le devoir de cohérence... et de jugement est d'autant plus impérieux que le savoir est plus éclaté.
Introduction à l'Encyclopédie
La lettre de L'Agora
Abonnez-vous gratuitement au bulletin électronique. de L'Agora.
Actualités
Compteur communicant
Bertrand Letendre
Dans le but louable de faire des économies, les gouvernements, c'est le cas notamment de celui du Canada, on tendance à inviter les entreprises, à assurer elles-mêmes le contrôle de la...
Antidépresseurs: effets à long terme
 
Effets au long cours des antidépresseurs« Voilà des médicaments largement prescrits dont on connaît finalement peu les effets à long terme. Une large étude de cohorte britannique a étudié près...

Irlande du Nord (Ulster)

Documentation

Documentation
Macbeth, Georgia. A Plurality of Identities: Ulster Protestantism in Contemporary Northern Irish Drama. Thèse. University of New South Wales. School of Theatre, Film and Dance. 1999: "This thesis examines the ways in which Ulster Protestant identity has been explored in contemporary Northern Irish drama. The insecurity of the political and cultural status of Ulster Protestants from the Home Rule Crises up until Partition led to the construction and maintenance of a distinct and unified Ulster Protestant identity. This identity was defined by concepts such as loyalty, industriousness and ‘Britishness’. It was also defined by a perceived opposite – the Catholicism, disloyalty and ‘Irishness’ of the Republic. When the Orange State began to fragment in the late 1960s and early 1970s, so did notions of this singular Ulster Protestant identity. With the onset of the Troubles in 1969 came a parallel questioning and subversion of this identity in Northern Irish drama. This was a process which started with Sam Thompson’s Over the Bridge in 1960, but which began in earnest with Stewart Parker’s Spokesong in 1975. This thesis examines Parker’s approach and subsequent approaches by other dramatists to the question of Ulster Protestant identity. (...)" (Australian Theses Digital Program - texte intégral en format PDF)
Date de création:2002-05-30 | Date de modification:2006-10-27